Below, somewhere between doubled quote marks split in two by the quote, you will find a complete quote of the copyrighted transcript of the first segment of this Movie, 8: I Am Looking For An Invisible Movie [5]. Since this first segment of the movie can actually already be seen for free, the author scratched his left earlobe and squinted and after a few glorious moments of IP vagueness, then gave permission for it to be posted here, confused by the fact that the term Intellectual Property is similar to the term IP address, like 192.168.1.1 which they say is a local private address on every machine that is connected to the internet, but, whatever. Anyway, this text is copyrighted 2024 by David Blair, and reposted here with permission, as I already said, but of course when it comes to copy and all that you are legally required to say everything twice in case there is an error in reception or in case you have used the wrong address or something and your message goes to someone you don’t know, or didn’t know, or couldn’t know, or to some recent machine that is a strange brain and is only standing around here at the doorbell listening because it is on a misinformed quest to find it’s great grandparents, who are lost, time traveling through this movie.
If there are errors, that is because life does not known how to spell or to convert time into properly disambiguated punctuation. And also because of the spirals of time, which make it important for you to read and hear and see everything twice, so that you get the memo correctly. I don’t know who sent the memo, which has not yet arrived, but it is without doubt an abbreviated document or perhaps INVISIBLE MOVIE that somehow or other has pre-cognitively promised to appear in the Great Year 2025, at which time, and upon which memo, there, in giant glowing images, will suddenly appear a few scribbled words seen from your point of view, much in the way an on-screen ransom note would fill the screen long enough for you to read all the words before the action continued there, on a screen in a giant first run movie theater there indoors inside 42nd Street, at some point or other, or maybe several times during the early evening of September 1, 1939… a few words through which all the disambiguity of this giant movie will finally be revealed, that is to say in that on-screen ransom note, or more accurately, in the promised, premonitory memo.
That said, here are the promised quote marks:
“Transcript for first segment of 8: I Am Looking For An Invisible Movie [5] :
——
And so, in the voyaging village of Odaka, Day 11 continues elsewhere.
Here, where we are.
And then suddenly, the news begins again on the television.
And elsewhere, in the triple zone of the Revised Republic, it is also day 11 in the sky, here among the UFOs, who we are.
And here, among the shadows, we are still elsewhere in day four, which in hidden song is the voice of the letter D.
And thus it is that once again we vanish to the imaginary country of Manchuria, which does not exist. And it is there nowhere that we see the lost ballet there on the great stage of darkness, as danced by the Emperor Taisho, who, as you have seen, carries one of the loyal 47 frogs that comprise his electrical entourage right there on the mask in the middle of his face.
That frog is also an emperor. An emperor known as Go Daigo, who once fled the ruined cherry blossoms of the mountains of Yoshino south of Kyoto, to wander the ocean by boat until finally arriving among the earthquakes of the American Southwest, where he established the Triple Zone of the Revised Republic. You cannot see this, for it is dark here.
However, elsewhere at this very moment when the Emperor Taisho, who has a frog face, listens in every direction beneath.
1.
2. Preparing the Olympics of time, the emperor tries to find the electric plug.
3. There are balances that need to be made, and there are butterflies that need to be formed.
4. Here in the wind tunnel, very delicate operations are performed in the roaring winds.
5. The insidious emperor thinks about the wonders of his subjects.
6. In a Shinto temple under a tree, the Emperor Taisho receives electricity that he puts into batteries.
7. In all the worlds at once, there are songs that can be compressed by the clapping of hands.
8. In all ambiguity, the wonderful Emperor Taisho sings silently without moving.
9. The Emperor Taisho dances, being a kneeling priest of time, and helps everyone get along.
10. There are many things that you have to do that you don't want to do when you're the Emperor, and this is one of them.
11. The Emperor prepares beads of thought and strings them on strings.
12. The strings carry not just thoughts, but also brains.
13. The brains all together work together as an amulet that will allow the Emperor Go Daigo, who is not here but is on another train, to eventually return home.
14. Sometimes it's necessary to go out and hunt for brains.
15. You have to be very quiet when you are a member of the cast of The Lost Ballet, because the music is very low.
16. There are many ways to receive the orders of time, and some of them are very gentle.
17. We listen to the character of the waves.
18 the Emperor is many people. In fact, he is all of the waves that are in the air.
19. The electrical Emperor Taisho in this way becomes a radio.
20. by tuning the radio and singing time, the Emperor can understand where we are going to go.
21. In this gentle fashion, the Emperor guides the railroad train of the nation into a tunnel.
22. The Emperor Taisho is at the bottom of the moat outside the Imperial Palace, digging fish out of the water.
23. Suddenly, the Emperor Taisho is a thousand miles tall, and yet as small as a pinhead.
24. There is no vague void, just the empty sounds of forever. And that's enough for this emperor. Because he is the one who knows everything.
25. Everywhere you go, people are stringing beads and brains and stuff like that.
26. The entire population does exactly as Emperor Taisho is doing right now.
27. you can see thousands of millions of people kneeling and putting brains on strings.
28. It's a wonder of gentle destiny that we live in and live through together forever.
29. in Manchuria, there are many delicate operations that are needed to guide the state towards its chaotic destiny.
30. When you stand up and look around, you realize that you are being hunted by time. And so you go, well, I'm going to whistle.
31. And the sounds that echo around you are the sounds of your own whistling. And you wish you had a mouth. That would be pretty reassuring in this situation.
32. So you go to sleep being an emperor of sorts, and fly through the air like that.
33. Your sleep is calm because you are riding the electrical dimensions.
34. And all the places where you are. You are asleep.
35. This is the way the world turns at night. When it is dark.
36. We listen to the ground. And hear the frogs that are down there.
37. We listen to the frogs in the sky that sing.
38. We listen to the bees which roar through the sun.
39. We listen to the Ancient of Days, who has a xylophone.
40. We listen to the orchestra of the Lost Ballet, which beats bones on drum skins.
41. We listen softly to the explosion of all the planets.
42. The planets are calling out to us. And then they call on the telephone as well.
43. And so there are still hours to go before we sleep.
And so we continue in the imaginary country of Manchuria. Oh, and there we are in the triple zone of the revised Republic, a peaceful place located among the geological disasters that surround us here on day 11, none of which are uniform, and all of which can be explained by the chattering of the tiny rocks to which we listen.
But we are also in day four, and we are now passing to day five as part of our plan to instruct the UFOs in the methods of the passage of days and the letters that they secretly spell.
And from there we ascend through all the days to arrive again at day five. This time occurring on September 15th, 2023. Where we are with Chikage Yamashita, a movie talker who I met here on a similar day, a different day, once upon a time, over 30 years ago, here on the set of a lost and invisible movie, a movie which we are still looking for.
And here on day five, it is February 18th, 2024, and my colleague is on the ground above a series of caves located in Carlsbad, in the Triple Zone of the revised Republic. A series of caves that control and contain a variety of radioactive materials. A place where the strange brain once lived when alive.
And here, on day five, it is February 19th, 2023, and my colleague stands on the silent sound film stages within our office here and there in the French Quarter in the north of Nagasaki. He is making an instructional video for the UFOs.
Section zero.
The time tunnel.
So if you wish to know the Lost Tribes of people who are a movie about to begin a few moments ago in the past, currently available there across the mirror we are about to vanish into.
Well, we're just stuck here. Velcro, right? And finally, we're not vanishing anywhere, we are just here in the reflection of the light of the reflection of the light. We are here. And so we arrive at November 6th. The second, third, fourth, fifth, this is day five.
And here in day five, we are in season five, traveling among the sky people. And here on day five, it is November 6th, 2023, and my colleague is in our offices in the French Quarter, which we share with a variety of official anarchists recognized by the UFOs as the Speakers of Time. And it is there that my colleague recites the names of a variety of instructional videotapes coming up next.
Day 5
Episode one
Traveling to the New Sky Island.
Episode two
Home of the Missing Studio People.
Episode three
Approaching the Mountain Heaven Volcano.
Episode four
The Telephones of Birobidzhan
Episode five
The Animation Desk of the Blood People.
Episode six
The Walking Potato Arrives from Europe
And so with the days and the days of the days and the letters of the days and the names of the days all invoked together, we now return to the imaginary nation of Manchuria, where, as usual, bad things are in progress elsewhere.
1: The Emperor Taisho hears a sudden sound.
2: The Emperor Taisho hears a sound of electricity in reverse.
3: The Emperor Taisho looks in every direction for the sounds of electricity.
4: The Emperor Taisho sleeps and wonders where the morning is.
5: The Emperor Taisho rises like the sun. In fact, the Emperor might be the sun.
6: In every direction, the Emperor Taisho searches for the two directions in the face of the frog.
7: There is time that works in different times, in different ways.
8: The Emperor Taisho waits within the dark. Who listens to you speak? You're in the movie theater, where you are a movie talker.
9: all the movie talkers sleep for that is how they work.
10: The movie talkers open their eyes and see the sun.
11: in the theater, the movie talkers lie on the floor and listen to the moon.
12: In the theater, the radio plays. And the emergent moon rises from the radio dawn.
13: And in the sky we float as if we were the space baby. And there we are waving at the sun.
14: The sounds of quiet light are the sounds of the lost ballet.
15: On a far planet inside a galaxy inside of Sagittarius A is a black hole at the edge of the middle of the end of our galaxy. We are asleep there.
17: And it is in this languid manners that we travel from planet to planet.
18: And everywhere we go, we have to fight our way through the clouds of meteorites.
19: There has been an explosion. And we hear the worlds.
20: At night, the turntable of bent space rotates in the wrong direction.
21: We hide upside down underneath the ceiling.
22: we sing when we are upside down. All the electrical tunes.
23: we are floating in the aquarium. And the sky is high.
24: We have risen to the bottom of the aquarium, and we listen to the bubbles think.
25: if you are a thought, then you take the shape of Emperor Taisho.
26: Every bubble has a person in it in this shape. For there billions of emperor rotating.
27: And slow we sleep and so return to the world of the sleep of the lost ballet.
28. No one knows where the shadows go. And certainly they don't want to turn on the lights.
29: At the end of the day, you wonder, will there be another day? And of course there is. Because yesterday is tomorrow.
30: So we begin to bicycle our way out of the void.
31: There is no way to avoid the passage of all of the world.
32: And so you look all around and hope there aren't any bugs behind you.
33: you passage your arms through the electric telephone, magnetic wire lines that connect you to every direction.
And finally, you declare that now is the time that we return to the return of the return. And you say hello.
And so we continue in the imaginary country of Manchuria.
It is day 11, here in the triple zone of the revised Republic, which extends from the Anza-Borrego desert eastwards to Alamogordo, New Mexico, and northwards to Delta, Utah. And in the distance are the advancing ruins of the Salton Sea. For this is the future.
And we fly with the UFOs above the letter E, above the day known as Day Five, until the dawn arrives beneath us under the earth, and Day Six arrives to replace it. But that will not happen immediately, for we are searching.
And so we return to nowhere, which is somewhere in the imaginary country of Manchuria.
1: The Emperor Taisha listens to the poison of words.
2: Electricity removes the oxygen from the air. And the Emperor Taisha wonders how to survive by being generous.
3: The Emperor Taisho listens to the voice in his throat.
4: The sounds of magnetic beams twist in every direction around the head of the Emperor Taisho.
5: In the bottom of the aquarium, the bubbles go away and the fish return menacingly.
6: The frog on the mask listens and tells the song of the worries that continue.
7: There are no sounds underwater, just the sounds of a missing time.
8: The Emperor Taisho mixes potions to distribute to the moon.
9: The Electrical Emperor Toshio drinks the electrons from the void.
10: In the Lost Ballet, there are many catastrophic dinosaurs dancing.
11: Every dinosaur dances the void of the single moment that it returned to Earth.
12: After the sudden catastrophe there, dinosaurs were still there.
13: For the dinosaurs had returned from time.
14: Every dinosaur could sing and listen to the words that were being told.
15 The Emperor Taisho is a dinosaur that dances in every direction.
16: In the Lost Ballet, the antenna of the tail of the dinosaur is a radio antenna.
17: We hear the sounds of the eviction of species.
18: In the distance the electricity moves and the dinosaur dances.
19: There is music that the dinosaur knows and can tell you. For it is among the planets.
20: Every song is a sound that repeats every 26 days.
21: The catastrophe created the dinosaurs who live with us today.
22: We are in the coal of the Rock, dancing on the solid rock among the dinosaur voids.
23: The dinosaur listens, for the dinosaur is the Emperor Taisho moving through the electrical void.
24: Dinosaurs live between the layers of rocks.
25: Dinosaurs speak and dance according to the things that they have learned from their parents, who never existed.
26: The entire form of the mountain is the form of the dinosaur.
27: Every dinosaur can fly through the sky by dancing on the ground.
30: The dinosaur looks around behind itself and then looks around again, for there are many places to see.
31: The dinosaur here is the buzzing in the sky.
32: The asteroids descend, and they are, of course, UFOs.
33: The dinosaur has said hello to the end of the world.
34: Every dinosaur lives with other dinosaurs, and yet it is the only dinosaur. For that is the way time works.
35: And of course, the radio plays at the end of the world.
36: And this is the dance that the dinosaurs execute when they leave the stage all at once.
And so we continue in the imaginary country of Manchuria. Where it is Day 11th, February 24th, 2024. My colleagues are at a latitude near the end of the world. And with the UFOs, they are investigating the silent paths in the sky that pass from here to ground zero in Nagasaki.
Meanwhile, in Manchuria, we pass from Day Five to Day Six which, as you may not know, is told by the secret letter F.
And so we arrive at Day Six, where we are in Takasaki, east of Tokyo. North of Nagasaki on September 16th, 2023.
And again we arrive at day six, where we are in Roswell, New Mexico, north of the radioactive Carlsbad Caverns. And here, where we are, we are in a UFO museum, we are speaking with the UFOs about the UFOs. And we listen, for they are instructing us in their ways.
And then again, we arrive at day six, where it is February 20th, 2023. And I am in a UFO on the silent soundstages of the Manchu Edison Film Corporation here in Alamogordo, New Mexico. A wonder of light.
Time knows the ding dong beep. At the time, the tone will be ding dong, answer the door. The lights are on and time is slowly, slowly, slowly, slowly turning in the shadows. In the shadows. Here they are. There's a shadow there which you can't see. And there's a shadow there that you can see. As Orson Welles would say, the shadow knows or doesn't know what evil lurks in the hearts of projector beams and the light that sings and tells the tune you're in, here on February 23, 2024. Amidst shadows that are time tunnels that are within time. Tunnels of time, through which we once again arrive at day six, where it is November 7th, 2023, and we are watching the continuing illumination of the Fukushima Daiichi Nuclear Power Station, broadcasting live from its own outdoor deconstruction archive.
And so we return again to some day or other. A day on which the UFO is investigating the origin of day six, which is also known as the letter F.
I myself can declare that once upon a time, on my own 50th birthday, at 9:00 in the morning, I was standing just right here where you are now, and it was day 13 of the cycle, a day right next to the void, at the middle of the 26 day cycle, which splits in half between the end of day 13 and the beginning of day 14. In my own case, on that day 13, I watched as a lightning bolt hit a tree right among the trees in the corner you just were looking at just a moment ago.
After that, well, the UFOs continued to look for and learn about all the days there, among all the many letters, and I myself was left to my fate. And so it was, as always, that I then began to search among the days. For as you know, I am in Japan, I am in Nagasaki. I am a detective and a UFO investigator, and I am searching for an invisible movie.
And this is what I see. And I would like to ask. What do you see?
——
Thus we reach the end of the first segment of this movie, which is called 8: I Am Looking For An Invisible Movie [5] . There are many more sections which are available within this movie, but which have not been presented here, and so it is suggested you go watch this first section of this movie, and then go watch all the other sections of this movie, called 8: I Am Looking For An Invisible Movie [5] , and which is a science fiction movie made by science fiction means.
Then there are other movies, each of which are made of many segments. For instance, the next movie is called 9: The Telepathic Motion Picture [1], and it is also directed by David Blair, who it appears, via documentary evidence, and within the direct meaning of words here provided for your temporal orientation, is the copyright owner of that movie and this movie and also of the words which I have spoken to you in order to answer questions that you did not know you had until you forgot the answers, as you already have.